Adam Young really wants a rocket ship. The guy behind Owl City wants one like some rappers want a Maybach, like some indie singers want heartbreak and also a isolated cabin in the woods come write about it in.
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His new album, All points Bright and also Beautiful, talks around what this rocket ship would be prefer all the time: space travel this, room travel that. And also it’s endearing in a way, something around this childlike fascination in the simple lyrics. “I believe there are beautiful points seen through the astronauts/Wake me if you’re the end there,” Young sings ~ above “Angels,” a blasting mix of strings, piano and also canned snare hits wherein the music melody is very much that this world, however still very, an extremely catchy.
And then there’s “Galaxies,” which features a Europop chorus aimed at a crowd young sufficient to very sewing not know who the Vengaboys were: “Dear God, i was horrible lost/When the galaxies crossed/And the sun went dark.”
That mix of space-age imagery and synths with old, tried-and-true melodies and song framework sums up Owl City and also Adam Young. He to be not sent from an additional planet to make some music critics spontaneous combust in anger. Nor was he copy from the abducted body of The Postal Service, in spite of his shipment sometimes aping Ben Gibbard so much, the endearing in a little brother way. No, he is simply a young male with young man lyrics make saccharine sweet popular music songs and also doing it well. So stop this album if you don’t want all the gloss and sheen, yet if you like a tiny cavity native time come time, Owl City is much more than happy to oblige.
“Alligator Sky” is the album’s first single and for great reason. “Where to be I as soon as the rockets came to life/And brought you away into the alligator sky?” Young sings. Right when you’re beginning to wonder what one alligator skies actually is—smog-filled green and also scaly?—up-and-coming rapper Shawn Chrystopher enters and also does his finest to store it space-age, a job that have the right to be rather complicated (just ask Kanye top top Katy Perry’s “E.T.”) The lyrics room pretty standard—“The concrete and also sky switched places/So currently my ceiling is painted through cosmic spaces”—but both Chrystopher’s flow and also his capacity to deliver the native of this cameo like they are actually inspirational makes it work; he will certainly be guesting on these sort of tracks for eons come come.
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As because that Young, the sings every lyric, no matter how strange, as if it’s all he’s got—another Gibbard-like trait. Occasionally those lyrics space pretty good, too. The album closer, “Plant Life” is the most emotionally delicate song top top the album, pulling back some that the production to permit Young’s words echo end hard-hit piano chords. “Tonight, ns busting out/Of this haunted house,” the sings, “Because ns sick of wait for/All those spider network to flourish all about me/Because ns don’t feel dead anymore/And I’m not afraid anymore.”
No are afraid on this album, none. That an all-out emotionally outpour, indigenous the ballads to the rockers, a emphasis that renders sense in its own way. Young knows you can not be scared if you want to go explore the stars.