Ryan Gosling stars in “Blade jogger 2049,” directed by Denis Villeneuve.Credit...Stephen Vaughan/Warner Bros.

A the majority of the movie released in the so late 1970s and early ’80s have actually spawned franchises, merchandising empires and also what us are currently invited to call “cinematic universes.” “Blade Runner,” Ridley Scott’s initially underrated 1982 adaptation of a novel by Philip K. Dick, achieved something much more unusual. It sent out tendrils of affect — pictorial, theoretical and spiritual — right into every corner of the society and influenced a secret cult.

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Like various other sacred texts, the movie invites teach arguments and also esoteric inquiries. Among my fondest memories together a father and also a film movie critic is the an instant post-screening seminar v two 11-year-olds around occult meanings and also hidden hints in the director’s cut. Exactly how do we know (if without doubt we carry out know) that Harrison Ford is a replicant? What is the definition of the origami unicorn? room Sean Young’s shoulder pads for real?

Alongside these basic interpretive questions, an academic subfield has blossomed, isolating “Blade Runner” as among the original symptoms of postmodernism, a terminal and interminable an illness of the mind. The film’s blend of curatorial nostalgia and also dystopian prophecy captured a mood of self-conscious melancholy in its moment and collection a tone of melancholy self-consciousness that has endured ever since. Probably the real civilization never quite achieved the smoky neon-noir glow of Mr. Scott’s Los Angeles, yet the map of our collective dream world was permanently redrawn.

Harrison Ford in “Blade jogger 2049.”Credit...Stephen Vaughan/Alcon Entertainment, Warner Bros.

The specific future “Blade Runner” projected is now much less than two years away, and the following chapter, when something to it is in dreaded, seems, if anything, overdue. “Blade runner 2049,” directed by Denis Villeneuve native a manuscript by Hampton Fancher and Michael Green, tries both to honor the original and to slip complimentary of its considerable shadow. It is no simple feat, and also it’s precious noting right away that, in small movie terms, Mr. Villeneuve, who likewise directed “Arrival,” mainly succeeds. From the opened aerial shots the a completely denatured farming landscape and the lethal confrontation the follows, we understand we room in the existence of a masterly visual tactician and also a shrewd storyteller.

We are additionally in are that is both familiar and also disorienting. A brief note defines what has and hasn’t readjusted in the 30 years because the occasions in the very first “Blade Runner.” Three-wheeled spinners still zoom v the California skies, and also the building-size video advertisements have developed into seductive, R-rated holograms. The titular profession — hunting down and “retiring” renegade members of the almost-human, gene engineered android types known together replicants — is exercised with the exact same brutal doggedness together in the old days.

A new, much more obedient kind of replicant has actually been arisen by a copy, group led through a technology visionary played by Jared Leto. (His lieutenant Luv is play by Sylvia Hoeks, a far an ext vivid and also persuasively terrifying visibility than the mannered Mr. Leto.) one of these models is our hero, one L.A.P.D. Employee known as K. (It’s one abbreviation the his serial number and also, maybe, an allusion come Franz Kafka’s avatar of modern alienation. That bad fellow’s full name to be Josef K; as soon as this K repurchase a person pseudonym, it’s Joe.)

Denis Villeneuve narrates a succession from his movie featuring Ryan Gosling.CreditCredit...Stephen Vaughan/Alcon Entertainment, Warner Bros. Pictures

Speaking of avatars the alienation, K moves through his days v the unhurried shuffle and also downcast infant blues the Ryan Gosling. This is impeccable casting. Mr. Gosling’s capability to elicit sympathy while seeming too distracted to desire it — his knack for making boredom look like passion and vice versa — provides him a perfect warm-blooded robot because that our time. That is also, in 2017, something close come what Harrison Ford to be 35 years ago: the modern embodiment the Hollywood’s venerable best of woman cool, a man whose toughness will revolve out to be the protective covering encasing a tender soul.

At first, the course, we should take the sensitivity ~ above faith. K go his grim project thoroughly and without complaint, mirroring the weary, downhearted patience of one old-time shamus. His command (Robin Wright) is a person who trust that everything depends on policing the border in between her kind and K’s. The whole suggest of “Blade Runner,” though, is that such limits are constantly blurred and also porous. K comes residence each night from job-related to the agency of Joi (Ana de Armas), his devoted girlfriend, who happens to it is in a commercially produced artificial intelligence application.

We are ready to acknowledge the pathos and also the paradox of her condition, i beg your pardon is a version of K’s own. The idea that artificial humans port feelings, desires and also dreams — that they room mirrors of us, that we are replicas of castle — has long to be a clip of speculative cinema. “Blade jogger 2049” does no wander as deep into this ontological thicket as, say, Steven Spielberg’s “A.I.” or Spike Jonze’s “Her,” but like those movies it provides the conceit the the suffering cyborg together ethical and emotional ballast, a spur come the audience’s curiosity and our compassion. A politics theme also asserts itself: this replicants space an enslaved job force; your exploitation is the fuel on i m sorry this world runs.

There is a something come think about here, a same amount come feel and even much more to see. Mr. Villeneuve has actually conspired through the cinematographer, roger A. Deakins; the manufacturing designer, Dennis Gassner; and the special results team to develop zones the strangeness that sometimes rise come the level the sublimity. The movies Mr. Villeneuve has directed — his recent English-language features encompass “Sicario,” “Prisoners” and “Arrival” — are full of violence and psychological intensity, however what distinguishes them indigenous other high-end genre spectacles is an unnerving calm, together if he to be exploring and also trying come synthesize the human and also mechanical political parties of his very own sensibility.

Movies room by their nature hybrids of an innovation and sentiment, makers for the delivery of person emotion. The an initial “Blade Runner” approached this as a philosophical problem and also an artistic challenge. Mr. Scott provided imagery obtained from old Hollywood, German Expressionism and also the nascent art of music video clip to create a dazzlingly synthetic environment wherein authenticity was the end of the question. Except, of course, that it was the question: just how do we understand what is real, ourselves included?

“I know what’s real,” claims the hero of that movie once — at long last! — he mirrors up in this one. K find Deckard, the original Blade runner (Mr. Ford, as if I needed to call you), in one abandoned ras Vegas casino, surrounding by shimmering party of whiskey and also primitive 3-D projections of Elvis and also Frank Sinatra. Mr. Gosling, unexpectedly overmatched in the woman cool department, acquits himself well enough, and Mr. Ford does precisely what you intend him to do.

Which is not something i’m going to explain, at least as much as it relates come the story. The studio has actually been person that is abnormal insistent in the pleas to doubters not to expose plot points. That’s fair enough, but it’s additionally evidence of how imaginatively impoverished big-budget movies have actually become. Prefer any good movie, Mr. Scott’s “Blade Runner” cannot be spoiled. It repays recurring viewing due to the fact that its mysteries space too deep to be solved and don’t depend on the succession of events. Mr. Villeneuve’s film, by contrast, is a closely engineered rigid puzzle, and its strength dissipates together the pieces snap into place. As sumptuous and also surprising as it is native one scene to the next, the lacks the an innovative excess, the intriguing opacity and the haunting residue that its predecessor.

As such, “Blade jogger 2049” was standing in relationship to “Blade Runner” practically exactly together K stands in relation to Deckard prior to the two meet: together a more docile, less rebellious “improvement,” tweaked and also retrofitted to meet customer demand. And also the customers are most likely to be satisfied. Yet now and then — as soon as K and Deckard are knocking around the old gambling palace; as soon as K visits an enigmatic mind-technician play by Carla Juri — you get an inkling that something else could have been possible. Something freer, much more romantic, more heroic, less figured out by the corporate program.

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Then again: that knows at this point if that feeling of loss, of shed possibility, is also real? It can be nothing an ext than an artificially implanted memory.